https://www.thecubemagazine.com/2021/03/25/lacoste-x-polaroid-via-libera-al-colore/
2021-03-25T07:56:18Z
dcr 2021-03-15 125447
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<p><span style="color: #000000">“<strong>Iliade”</strong> di <strong>Corrado d’Elia</strong>, edito da <strong>Edizioni Ares,</strong> mi ha stregato per la sua bruciante bellezza.</span></p> </div>
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<blockquote><p><span style="color: #000000">“Così all’improvviso</span></p><p><span style="color: #000000">Achei e Troiani si ritrovarono</span></p><p><span style="color: #000000">gli uni davanti agli altri</span></p><p><span style="color: #000000">e si fermarono.</span></p><p><span style="color: #000000">E fu un grande silenzio”.</span></p></blockquote><p> </p> </div>
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<p><span style="color: #000000">Esce per <strong>Edizioni Ares,</strong> curata con una postfazione di <strong>Cristina Dell’Acqua </strong>e un invito alla lettura di <strong>Alessandro Rivali</strong>, “<strong>Iliade Storia di uomini”</strong> di <strong>Corrado d’Elia.</strong></span></p><p><span style="color: #000000">Bella novità, qualche lettore potrebbe obiettare.</span></p><p><span style="color: #000000">Un testo che risale al 750 a.C., pubblicato numerose volte.</span></p><p><span style="color: #000000">È vero, ma ci sono almeno due ragioni per segnalare la nuova uscita: la prima personale: fin dagli anni del liceo ho nei confronti dell’Iliade una particolare affezione, è stato una opera da cui ho imparato a vivere.</span></p><p><span style="color: #000000">La seconda è oggettiva: <strong>Iliade</strong> è uno dei testi classici capaci di continuare a parlare a tutti, anche nel XXI secolo, come altri ovviamente, però sempre primeggiando.</span></p> </div>
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<img fetchpriority="high" decoding="async" data-attachment-id="61630" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/regnault_henri_-_automedon_with_the_horses_of_achilles_-_1868/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" data-orig-size="881,837" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Regnault,_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=100%2C95&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" width="881" height="837" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" class="attachment-large size-large wp-image-61630" alt="" data-attachment-id="61630" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/regnault_henri_-_automedon_with_the_horses_of_achilles_-_1868/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" data-orig-size="881,837" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Regnault,_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=100%2C95&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" /> <figcaption class="widget-image-caption wp-caption-text"> Iliade Aggiungi argomento 8 ⁄ 12 Ulteriori dettagli Automedonte con i cavalli Balio e Xanto di Achille, dipinto di Henri Regnault.</figcaption>
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<p><span style="color: #000000">Un vero breviario ispirato alla filosofia dei sentimenti umani, di quelle gesta dei grandi uomini celebrati da Omero quasi 3000 anni fa sono i medesimi di oggi, conserva cioè la stessa potenza dirompente, la stessa capacità di emozionarci e di farci riflettere.</span></p><p><span style="color: #000000">Per questo motivo <strong>Iliade</strong> rappresenta uno dei pilastri della nostra letteratura, racchiudendo nei suoi versi l’archetipo e il paradigma del nostro sentire, e nel vedere quella pluralità di mondi in un universo infinito.</span></p><p><span style="color: #000000">Mostrati, come lo stesso autore, ci fa notare, nella loro vacuità della presunzione umana di avere la signoria del pianeta, dunque delle passioni, che ne derivano. Una sorta di premesse teoriche per un ideale di amicizia e solidarietà.</span></p> </div>
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<p><span style="color: #000000">I cieli di Omero sono vuoti, sono azzerati i vincoli nefasti di ogni singolo idolo, la vita coincide con il nostro presente nella sua durata.</span></p><p><span style="color: #000000">Omero elegge a principio cardine il racconto ad alta voce, che assume un significato nuovo, non solo come notizia di cronaca, ma un percorso straordinario di umanità, dove selezionati i nostri desideri, cedendo solo a quelli necessari, che possono essere soddisfatti.</span></p><p><span style="color: #000000">Un poema che è una rivincita della parola di fronte alla perdita di significato che il nostro tempo ci impone, un luogo in cui ogni nostro sentire trova espressione, dove ogni termine diventa argomento e ogni verso una storia.</span></p> </div>
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<p><span style="color: #000000">In mezzo ogni verso c’è tutta la vita, il giorno e la notte, l’amore fisico più travolgente e quello pacificato e sereno, ci sono sogni e la realtà, la pace e la guerra, il senso della responsabilità.</span></p><p><span style="color: #000000">L’invito è quello di immergersi nella esperienza poetica meditativa di <strong>Iliade</strong>, per riuscire a rispondere alla grande domanda che tutti portiamo dentro: che cos’è alla fine Troia per noi?</span></p><p><span style="color: #000000">Non c’è nessun Acheronte che ci attende dopo la morte.</span></p><p><span style="color: #000000">L’inferno è qui, per coloro che rimangono succubi delle loro passioni.</span></p> </div>
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<p>Di Alberto Corrado</p> </div>
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<p><span style="color: #000000">“<strong>Iliade”</strong> di <strong>Corrado d’Elia</strong>, edito da <strong>Edizioni Ares,</strong> mi ha stregato per la sua bruciante bellezza.</span></p> </div>
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<blockquote><p><span style="color: #000000">“Così all’improvviso</span></p><p><span style="color: #000000">Achei e Troiani si ritrovarono</span></p><p><span style="color: #000000">gli uni davanti agli altri</span></p><p><span style="color: #000000">e si fermarono.</span></p><p><span style="color: #000000">E fu un grande silenzio”.</span></p></blockquote><p> </p> </div>
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<p><span style="color: #000000">Esce per <strong>Edizioni Ares,</strong> curata con una postfazione di <strong>Cristina Dell’Acqua </strong>e un invito alla lettura di <strong>Alessandro Rivali</strong>, “<strong>Iliade Storia di uomini”</strong> di <strong>Corrado d’Elia.</strong></span></p><p><span style="color: #000000">Bella novità, qualche lettore potrebbe obiettare.</span></p><p><span style="color: #000000">Un testo che risale al 750 a.C., pubblicato numerose volte.</span></p><p><span style="color: #000000">È vero, ma ci sono almeno due ragioni per segnalare la nuova uscita: la prima personale: fin dagli anni del liceo ho nei confronti dell’Iliade una particolare affezione, è stato una opera da cui ho imparato a vivere.</span></p><p><span style="color: #000000">La seconda è oggettiva: <strong>Iliade</strong> è uno dei testi classici capaci di continuare a parlare a tutti, anche nel XXI secolo, come altri ovviamente, però sempre primeggiando.</span></p> </div>
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<img fetchpriority="high" decoding="async" data-attachment-id="61630" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/regnault_henri_-_automedon_with_the_horses_of_achilles_-_1868/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" data-orig-size="881,837" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Regnault,_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=100%2C95&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" width="881" height="837" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" class="attachment-large size-large wp-image-61630" alt="" data-attachment-id="61630" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/regnault_henri_-_automedon_with_the_horses_of_achilles_-_1868/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" data-orig-size="881,837" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Regnault,_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=100%2C95&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" /> <figcaption class="widget-image-caption wp-caption-text"> Iliade Aggiungi argomento 8 ⁄ 12 Ulteriori dettagli Automedonte con i cavalli Balio e Xanto di Achille, dipinto di Henri Regnault.</figcaption>
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<p><span style="color: #000000">Un vero breviario ispirato alla filosofia dei sentimenti umani, di quelle gesta dei grandi uomini celebrati da Omero quasi 3000 anni fa sono i medesimi di oggi, conserva cioè la stessa potenza dirompente, la stessa capacità di emozionarci e di farci riflettere.</span></p><p><span style="color: #000000">Per questo motivo <strong>Iliade</strong> rappresenta uno dei pilastri della nostra letteratura, racchiudendo nei suoi versi l’archetipo e il paradigma del nostro sentire, e nel vedere quella pluralità di mondi in un universo infinito.</span></p><p><span style="color: #000000">Mostrati, come lo stesso autore, ci fa notare, nella loro vacuità della presunzione umana di avere la signoria del pianeta, dunque delle passioni, che ne derivano. Una sorta di premesse teoriche per un ideale di amicizia e solidarietà.</span></p> </div>
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<img decoding="async" data-attachment-id="61637" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/iliade/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=1216%2C2158&ssl=1" data-orig-size="1216,2158" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="ILIADE" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=56%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=577%2C1024&ssl=1" width="577" height="1024" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=577%2C1024&ssl=1" class="attachment-large size-large wp-image-61637" alt="" data-attachment-id="61637" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/iliade/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=1216%2C2158&ssl=1" data-orig-size="1216,2158" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="ILIADE" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=56%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=577%2C1024&ssl=1" /> </div>
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<p><span style="color: #000000">I cieli di Omero sono vuoti, sono azzerati i vincoli nefasti di ogni singolo idolo, la vita coincide con il nostro presente nella sua durata.</span></p><p><span style="color: #000000">Omero elegge a principio cardine il racconto ad alta voce, che assume un significato nuovo, non solo come notizia di cronaca, ma un percorso straordinario di umanità, dove selezionati i nostri desideri, cedendo solo a quelli necessari, che possono essere soddisfatti.</span></p><p><span style="color: #000000">Un poema che è una rivincita della parola di fronte alla perdita di significato che il nostro tempo ci impone, un luogo in cui ogni nostro sentire trova espressione, dove ogni termine diventa argomento e ogni verso una storia.</span></p> </div>
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<img decoding="async" data-attachment-id="61644" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/homeros_caetani_louvre_ma440_n2/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=1024%2C1489&ssl=1" data-orig-size="1024,1489" data-comments-opened="0" data-image-meta="{"aperture":"3.5","credit":"Marie-Lan Nguyen","camera":"NIKON D300S","caption":"","created_timestamp":"1262532936","copyright":"","focal_length":"50","iso":"500","shutter_speed":"0.01","title":"","orientation":"1"}" data-image-title="Homeros_Caetani_Louvre_Ma440_n2" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=69%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=704%2C1024&ssl=1" width="704" height="1024" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=704%2C1024&ssl=1" class="attachment-large size-large wp-image-61644" alt="" data-attachment-id="61644" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/homeros_caetani_louvre_ma440_n2/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=1024%2C1489&ssl=1" data-orig-size="1024,1489" data-comments-opened="0" data-image-meta="{"aperture":"3.5","credit":"Marie-Lan Nguyen","camera":"NIKON D300S","caption":"","created_timestamp":"1262532936","copyright":"","focal_length":"50","iso":"500","shutter_speed":"0.01","title":"","orientation":"1"}" data-image-title="Homeros_Caetani_Louvre_Ma440_n2" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=69%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=704%2C1024&ssl=1" /> <figcaption class="widget-image-caption wp-caption-text"> Iliade Aggiungi argomento 4 ⁄ 12 Ulteriori dettagli Ritratto immaginario di Omero, copia romana del II secolo d.C. di un'opera greca del II secolo a.C. Conservato al Museo del Louvre di Parigi.</figcaption>
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<p><span style="color: #000000">In mezzo ogni verso c’è tutta la vita, il giorno e la notte, l’amore fisico più travolgente e quello pacificato e sereno, ci sono sogni e la realtà, la pace e la guerra, il senso della responsabilità.</span></p><p><span style="color: #000000">L’invito è quello di immergersi nella esperienza poetica meditativa di <strong>Iliade</strong>, per riuscire a rispondere alla grande domanda che tutti portiamo dentro: che cos’è alla fine Troia per noi?</span></p><p><span style="color: #000000">Non c’è nessun Acheronte che ci attende dopo la morte.</span></p><p><span style="color: #000000">L’inferno è qui, per coloro che rimangono succubi delle loro passioni.</span></p> </div>
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<p>Di Alberto Corrado</p> </div>
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<p><span style="color: #000000">“<strong>Iliade”</strong> di <strong>Corrado d’Elia</strong>, edito da <strong>Edizioni Ares,</strong> mi ha stregato per la sua bruciante bellezza.</span></p> </div>
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<blockquote><p><span style="color: #000000">“Così all’improvviso</span></p><p><span style="color: #000000">Achei e Troiani si ritrovarono</span></p><p><span style="color: #000000">gli uni davanti agli altri</span></p><p><span style="color: #000000">e si fermarono.</span></p><p><span style="color: #000000">E fu un grande silenzio”.</span></p></blockquote><p> </p> </div>
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<p><span style="color: #000000">Esce per <strong>Edizioni Ares,</strong> curata con una postfazione di <strong>Cristina Dell’Acqua </strong>e un invito alla lettura di <strong>Alessandro Rivali</strong>, “<strong>Iliade Storia di uomini”</strong> di <strong>Corrado d’Elia.</strong></span></p><p><span style="color: #000000">Bella novità, qualche lettore potrebbe obiettare.</span></p><p><span style="color: #000000">Un testo che risale al 750 a.C., pubblicato numerose volte.</span></p><p><span style="color: #000000">È vero, ma ci sono almeno due ragioni per segnalare la nuova uscita: la prima personale: fin dagli anni del liceo ho nei confronti dell’Iliade una particolare affezione, è stato una opera da cui ho imparato a vivere.</span></p><p><span style="color: #000000">La seconda è oggettiva: <strong>Iliade</strong> è uno dei testi classici capaci di continuare a parlare a tutti, anche nel XXI secolo, come altri ovviamente, però sempre primeggiando.</span></p> </div>
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<img fetchpriority="high" decoding="async" data-attachment-id="61630" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/regnault_henri_-_automedon_with_the_horses_of_achilles_-_1868/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" data-orig-size="881,837" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Regnault,_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=100%2C95&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" width="881" height="837" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" class="attachment-large size-large wp-image-61630" alt="" data-attachment-id="61630" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/regnault_henri_-_automedon_with_the_horses_of_achilles_-_1868/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" data-orig-size="881,837" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="Regnault,_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=100%2C95&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Regnault_Henri_-_Automedon_with_the_Horses_of_Achilles_-_1868-e1738686339773.jpg?fit=881%2C837&ssl=1" /> <figcaption class="widget-image-caption wp-caption-text"> Iliade Aggiungi argomento 8 ⁄ 12 Ulteriori dettagli Automedonte con i cavalli Balio e Xanto di Achille, dipinto di Henri Regnault.</figcaption>
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<p><span style="color: #000000">Un vero breviario ispirato alla filosofia dei sentimenti umani, di quelle gesta dei grandi uomini celebrati da Omero quasi 3000 anni fa sono i medesimi di oggi, conserva cioè la stessa potenza dirompente, la stessa capacità di emozionarci e di farci riflettere.</span></p><p><span style="color: #000000">Per questo motivo <strong>Iliade</strong> rappresenta uno dei pilastri della nostra letteratura, racchiudendo nei suoi versi l’archetipo e il paradigma del nostro sentire, e nel vedere quella pluralità di mondi in un universo infinito.</span></p><p><span style="color: #000000">Mostrati, come lo stesso autore, ci fa notare, nella loro vacuità della presunzione umana di avere la signoria del pianeta, dunque delle passioni, che ne derivano. Una sorta di premesse teoriche per un ideale di amicizia e solidarietà.</span></p> </div>
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<img decoding="async" data-attachment-id="61637" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/iliade/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=1216%2C2158&ssl=1" data-orig-size="1216,2158" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="ILIADE" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=56%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=577%2C1024&ssl=1" width="577" height="1024" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=577%2C1024&ssl=1" class="attachment-large size-large wp-image-61637" alt="" data-attachment-id="61637" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/iliade/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=1216%2C2158&ssl=1" data-orig-size="1216,2158" data-comments-opened="0" data-image-meta="{"aperture":"0","credit":"","camera":"","caption":"","created_timestamp":"0","copyright":"","focal_length":"0","iso":"0","shutter_speed":"0","title":"","orientation":"0"}" data-image-title="ILIADE" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=56%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/ILIADE-e1738686681725.png?fit=577%2C1024&ssl=1" /> </div>
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<p><span style="color: #000000">I cieli di Omero sono vuoti, sono azzerati i vincoli nefasti di ogni singolo idolo, la vita coincide con il nostro presente nella sua durata.</span></p><p><span style="color: #000000">Omero elegge a principio cardine il racconto ad alta voce, che assume un significato nuovo, non solo come notizia di cronaca, ma un percorso straordinario di umanità, dove selezionati i nostri desideri, cedendo solo a quelli necessari, che possono essere soddisfatti.</span></p><p><span style="color: #000000">Un poema che è una rivincita della parola di fronte alla perdita di significato che il nostro tempo ci impone, un luogo in cui ogni nostro sentire trova espressione, dove ogni termine diventa argomento e ogni verso una storia.</span></p> </div>
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<img decoding="async" data-attachment-id="61644" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/homeros_caetani_louvre_ma440_n2/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=1024%2C1489&ssl=1" data-orig-size="1024,1489" data-comments-opened="0" data-image-meta="{"aperture":"3.5","credit":"Marie-Lan Nguyen","camera":"NIKON D300S","caption":"","created_timestamp":"1262532936","copyright":"","focal_length":"50","iso":"500","shutter_speed":"0.01","title":"","orientation":"1"}" data-image-title="Homeros_Caetani_Louvre_Ma440_n2" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=69%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=704%2C1024&ssl=1" width="704" height="1024" src="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=704%2C1024&ssl=1" class="attachment-large size-large wp-image-61644" alt="" data-attachment-id="61644" data-permalink="https://www.thecubemagazine.com/2025/02/04/omero-ci-parla-ancora/homeros_caetani_louvre_ma440_n2/" data-orig-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=1024%2C1489&ssl=1" data-orig-size="1024,1489" data-comments-opened="0" data-image-meta="{"aperture":"3.5","credit":"Marie-Lan Nguyen","camera":"NIKON D300S","caption":"","created_timestamp":"1262532936","copyright":"","focal_length":"50","iso":"500","shutter_speed":"0.01","title":"","orientation":"1"}" data-image-title="Homeros_Caetani_Louvre_Ma440_n2" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=69%2C100&ssl=1" data-large-file="https://i0.wp.com/www.thecubemagazine.com/wp-content/uploads/2025/02/Homeros_Caetani_Louvre_Ma440_n2-scaled-e1738686851938.jpg?fit=704%2C1024&ssl=1" /> <figcaption class="widget-image-caption wp-caption-text"> Iliade Aggiungi argomento 4 ⁄ 12 Ulteriori dettagli Ritratto immaginario di Omero, copia romana del II secolo d.C. di un'opera greca del II secolo a.C. Conservato al Museo del Louvre di Parigi.</figcaption>
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<p><span style="color: #000000">In mezzo ogni verso c’è tutta la vita, il giorno e la notte, l’amore fisico più travolgente e quello pacificato e sereno, ci sono sogni e la realtà, la pace e la guerra, il senso della responsabilità.</span></p><p><span style="color: #000000">L’invito è quello di immergersi nella esperienza poetica meditativa di <strong>Iliade</strong>, per riuscire a rispondere alla grande domanda che tutti portiamo dentro: che cos’è alla fine Troia per noi?</span></p><p><span style="color: #000000">Non c’è nessun Acheronte che ci attende dopo la morte.</span></p><p><span style="color: #000000">L’inferno è qui, per coloro che rimangono succubi delle loro passioni.</span></p> </div>
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<p>Di Alberto Corrado</p> </div>
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